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ERMIR BEJO — COMPOSER
  • Home
  • Bio
  • Works
    • opus 12 — piano
    • opus 11 — piano
    • opus 10 — guitar
    • opus 9 — string trio
      • divertimento opus 9 — wind quartet
    • opus 8 — electronic music
    • opus 7b — sopranino sax
    • opus 7a — piccolo
    • opus 6 — violin & piano
      • fragment from opus 6 — string trio
    • opus 5 — male voice & recorder
    • opus 4 — piano
    • opus 3 — soprano & ensemble
    • opus 2 — chamber orchestra
      • bagatelles opus 2 — cello & piano
      • encore opus 2 — violin
    • opus 1 — piano
  • Writing
  • Score Follower
  • Audio Engineer
ERMIR BEJO — COMPOSER
  • Home
  • Bio
  • Works
    • opus 12 — piano
    • opus 11 — piano
    • opus 10 — guitar
    • opus 9 — string trio
      • divertimento opus 9 — wind quartet
    • opus 8 — electronic music
    • opus 7b — sopranino sax
    • opus 7a — piccolo
    • opus 6 — violin & piano
      • fragment from opus 6 — string trio
    • opus 5 — male voice & recorder
    • opus 4 — piano
    • opus 3 — soprano & ensemble
    • opus 2 — chamber orchestra
      • bagatelles opus 2 — cello & piano
      • encore opus 2 — violin
    • opus 1 — piano
  • Writing
  • Score Follower
  • Audio Engineer
  • More
    • Home
    • Bio
    • Works
      • opus 12 — piano
      • opus 11 — piano
      • opus 10 — guitar
      • opus 9 — string trio
        • divertimento opus 9 — wind quartet
      • opus 8 — electronic music
      • opus 7b — sopranino sax
      • opus 7a — piccolo
      • opus 6 — violin & piano
        • fragment from opus 6 — string trio
      • opus 5 — male voice & recorder
      • opus 4 — piano
      • opus 3 — soprano & ensemble
      • opus 2 — chamber orchestra
        • bagatelles opus 2 — cello & piano
        • encore opus 2 — violin
      • opus 1 — piano
    • Writing
    • Score Follower
    • Audio Engineer

Writing

  • IN CONVERSATION WITH SAMUEL ANDREYEV (2021)

  • IN CONVERSATION WITH CHRIS DENCH (2020)

  • POSTMODERNISM IN PHILOSOPHY AND MUSIC (2018)

  • MUSIC AND PSYCHOANALYSIS: THE FUNCTION OF FANTASY AND DESIRE (2017)

  • MELODIC TROPES IN SCIARRINO’S VANITAS (2017)

  • J.T.FRASER’S THEORY OF TIME AS CONFLICT (2016)

  • CELLULAR AUTOMATA FROM XENAKIS' "HOROS" (2016)

  • FORMAL PROPORTIONS IN SCHUBERT’S “IHR BILD” (2016)

  • ATONAL TRANSFORMATIONAL VOICE-LEADING IN WEBERN’S OP.27 #3 (2015)

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