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ALL / CHAMBER LARGE / CHAMBER SMALL / ELECTRONIC / INSTRUMENTAL / OPUS NO. / SOLO / VOCAL
WRITING
IN CONVERSATION WITH SAMUEL ANDREYEV
IN CONVERSATION WITH CHRIS DENCH
POSTMODERNISM IN PHILOSOPHY AND MUSIC
MUSIC AND PSYCHOANALYSIS: THE FUNCTION OF FANTASY AND DESIRE
MELODIC TROPES IN SCIARRINO’S VANITAS
J.T.FRASER’S THEORY OF TIME AS CONFLICT
FORMAL PROPORTIONS IN SCHUBERT’S “IHR BILD”
ATONAL TRANSFORMATIONAL VOICE-LEADING IN WEBERN’S OP.27 #3